Romanian dressmakers revel in Dior folk coat vogue

March 22, 2019 0 By HearthstoneYarns

They may feel aggrieved at not
obtaining an official seal of approval, but traditional Romanian dressmakers
are riding a wave of demand for their folk designs after a top fashion house
inadvertently showcased their craft.

Clothes makers from the northwestern Bihor region were more than a
little
bemused when they got wind of a 2017 Dior collection.
Their jaws notably dropped when they saw an embroidered folk coat which
looked strikingly similar to the “cojocel binsenesc” waistcoat their region
has been producing for around a century.

A Romanian version of the garment, historically worn on important
occasions, sells at home and abroad for around 500 euros (580 dollars) —
almost a
month’s salary in one of the European Union’s poorest countries.

The Dior coat did not go unnoticed among the wider population either,
after
a resident of the regional city of Beius spotted it in a Singapore shop and
posted it on Facebook, sparking a strong response from users which was
picked
up by the media.

“That day, I posted my first comment on Facebook, thanking the Dior
fashion
house for appreciating this beautiful item,” Dorina Hanza, a 52-year-old
embroiderer who cottoned on to the similarity, told AFP.
La Blouse Roumaine, which promotes the Romanian blouse to encourage women
to wear it, juxtaposed the different versions side by side on Twitter,
adding
#givecredit.

Yet Dior, which did not respond to AFP’s requests for comment, may
well
have done the Bihor designers a favour.
Demand has soared since the social media posts pointing out the
similarities between both versions of the heavily embroidered, multicolour,
sheepskin sleeveless jacket with black fur edging.

“Since then, everybody wants one” from the traditional source,
enthused Ana
Florea, who runs a designers’ group in Beius, near the Hungarian border.
“This waistcoat is 100 percent ours,” she insisted.
Hanza, while happy to see the Romanian version in the limelight, said she
just wished Dior could have given a nod to their apparent inspiration.
“They could have said, ‘we borrowed this from the Romanian people’,” said
Hanza, adding “the tradition might have been lost” had the current
controversy
not emerged.

Thanks Dior’

Diana Naprodean, 44, also sees an upside to the Dior garment.
“That proves it’s really pretty,” said the librarian, a hobbyist
crocheter
and embroiderer who has just produced her own first attempt at the
traditional
waistcoat.

“Thanks Dior. Thanks to you we have begun to love our traditional
costume
again,” said Diana Herdelo, 33, another from the Beius group who is weaving
one of her own.
The waistcoat is made from local Bihor sheepskin after a tanning process
of
around three weeks. It is then tailored and decorated with local style
embroidery and worn by both men and women, although the length and motifs
differ.

With traditional regional costumes being worn by fewer and fewer
people,
demand for the clothes had almost died out until the controversy over the
Dior
jacket reignited interest.
One important detail on the Dior version did not escape the notice of
Bihor
residents though — the jacket worn by the fashion model was adorned with
motifs — a phallic symbol — strictly worn only by men.
“Tradition doesn’t allow a woman to wear a man’s cojocel or the other way
around,” Hanza said.

With interest piqued, Romania’s Beau Monde magazine and the McCann
advertising agency have launched an ad campaign entitled Bihor Couture,
along
with a website where fans can order a jacket and other traditional items.
The site has already taken around 1,000 orders.
“Our goal is to help people in this region and showcase their work and
their traditions which were in danger of dying out,” says Beau Monde’s
former
editor-in-chief Roxana Dobrita.

A post shared by Amsterdam Fashion Week (@amsterdamfashionweek) on Jul 4, 2018 at 12:11am PDT

‘Culture is a living thing’

McCann’s creative director for Romania Catalin Dobre said he believes
that
“the fashion industry should do more to support traditions.
“Across the globe, the leading brands take their inspiration from
different
cultures without recognising it,” he told AFP in an email.

Horatiu Ilea, curator of the Romanian Peasant Museum, said he
believes any
accusations against Dior in this case are unjustified.
“Culture is a living thing. Ideas get bounced around, you can’t stop
that,”
he told AFP, adding that “cultural appropriation” has been going on since
ancient times.

Rather than demand some form of redress, Ilea urged Romania “to
benefit
from this incident, by, for example, launching a campaign promoting
traditional and artisanal work.” (AFP)

Images: Daniel Mihailescu / AFP